This month, Kansas City is lighting up with excitement as jazz enthusiasts celebrate the release of Bird in Kansas City from Verve Records. This album is a delightful treat for fans of the legendary saxophonist Charlie “Bird” Parker, offering a glimpse into his early performances right here in his hometown.
While Parker has long been a celebrated figure in the Kansas City jazz scene, this collection of 13 tracks captures rare recordings that showcase his evolution as an artist from 1941 to 1951. The album kicks off with a lively set of tracks recorded in July 1951 at the residence of Phil Baxter in Kansas City. From there, listeners are taken on a nostalgic journey back in time to June 1944, with recordings from Vic Damon’s Transcription Studios. The last tracks highlight Parker’s earlier days with Jay McShann and His Orchestra, recorded in February 1941.
One of the standout features of this album is how it beautifully allows listeners to hear Parker’s artistic journey. The recordings with McShann display the band in a transitional state, featuring standards like “Margie” and “I’m Getting Sentimental Over You”. Chuck Haddix, the curator of the Marr Sound Archives at the University of Missouri-Kansas City, notes that by the time they reached the recordings from Vic Damon’s sessions, Parker’s style had shifted to a more relaxed and spontaneous approach. Here, listeners can hear him calling tunes as they play, which adds a personal touch to the experience.
The true gem of the album, however, lies in the recordings made at Phil Baxter’s home. These late-night jam sessions were legendary among locals, as saxophonist Ray Crawford would often attend with his wife, Addie. One night, he suggested capturing Parker’s performance with his wire-recording setup, an idea that proved to be a fantastic decision. Alto saxophonist Bobby Watson describes this home recording as featuring Parker in a relaxed mood, exploring upper extensions of chords not commonly found in his more polished studio recordings.
When we caught up with Chuck Haddix, he explained the significance of this album. “These recordings were made over a span of ten years—1941 through 1951,” he shared. “They capture the essence of Bird’s growth from a budding soloist with Jay McShann to the jazz icon he became.” Each set of recordings comes from fascinating backgrounds, showcasing the spirit and camaraderie of Kansas City’s music scene.
Many of the tracks were preserved through the efforts of collectors and fans. The 1941 recordings from Jay McShann were made by John Tumino, who captured the band during their performances at the Century Room in Kansas City. Tumino’s meticulous recordings resulted from his passion for music and his knack for gadgets. Similarly, the Vic Damon sessions, referred to as “the so-called Charlie White recordings,” were held in high regard among collectors, ensuring their preservation through the years.
The story behind Baxter’s home recordings is equally compelling. Known as a close friend of Parker, Phil Baxter would frequently host the musician at his home, often leading to spontaneous jam sessions. After Baxter passed away, his son Barry kept the recordings private until the estate eventually donated them to the Marr Sound Archives. Haddix was thrilled to finally get his hands on these elusive recordings, having only heard whispers about them prior.
When it came to compiling Bird in Kansas City, there were challenges related to the condition of the original recordings. The restoration team worked diligently, utilizing state-of-the-art techniques to enhance the sound quality. This meticulous process ensured that Parker’s talent shines through, making the album a true audio feast. The final product reflects a blend of historical significance and musical brilliance that Parker’s fans have been eager to embrace.
Ultimately, Bird in Kansas City is more than just a collection of songs; it’s a tribute to a remarkable musician who played a significant role in shaping the jazz scene in Kansas City. As more listeners dive into these recordings, they will not only enjoy the music but also gain an appreciation for Parker’s roots and the vibrant culture of jazz that flourished in the city. This album is a labor of love that connects the past to the present, respecting the legacy of one of jazz’s greatest icons.
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